Julie Côté on Ottawa’s Camp Woolsey, Guiding, and the Power of its Community

Could you introduce yourself and tell us how you’re involved with Girl Guides?

My name’s Julie, but a common thing in Girl Guides, especially at Camp Woolsey, was to use fake names or ‘camp names’. So my camp name is Jaf, and that’s what most of the people involved in Guiding in Ottawa would know me as.

I’ve been a member of Girl Guides for basically my whole life. I started in 1997 when my family was posted in Germany. When my family moved back to Canada, I joined as a Brownie. Girl Guides of Canada has recently changed the branch name to Embers, but originally the branch was named after a type of Scottish Fairy.  After Brownies I did Guides, Pathfinders, and Rangers but took a break when I went to university. When I came back to Ottawa I became a Guider, and have been a Guider ever since, going on 10 years now. 

The biggest reason I stayed as a kid was because of two really good friends, who I met in Guides. They weren’t going to my school, so that was the only time I saw them. The three of us did the leadership training program at Woolsey together, and my first job was working at camp. It was this friendship that kept bringing me back. When I said earlier I took a break from Guides, that was only half true. While technically I wasn’t a member, I still worked at camp. When I got back to Ottawa, the reason I joined again was because some of my friends had a unit and asked me if I could help out. As a kid, I was never interested in working with other kids, but that changed and now I work for the school board.

When I was 12 or 13 there was a big change in the way Girl Guides was run. It became a lot more centralised. No longer did we have “districts” that handle their own affairs, like the Ottawa District for example. It was actually the Ottawa District that first bought and ran Woolsey right from the very start. There have also been program changes and uniform changes. The organisation is always trying to evolve and keep up with the times. 

Could you tell me a bit about the camp itself?

David (Dave) Kent - Beep Ball, Disability, and Sports Memory in Ottawa

In March 2024, the Historical Society of Ottawa sat down with David (Dave) Kent to discuss beep ball, disability and sports memory in Ottawa.

Why don’t we start by telling a bit about yourself and your life? 

Dave: Well I was born in Ottawa in the summer of 1951 and did almost all of my schooling, elementary, middle and high school in Ottawa. I went to the University of Ottawa in the early '70s and did an arts degree in Geography. I then went to the University of Manitoba to take a course in data processing, or what they call computer science now. I had normal vision until I was about 8 or 9, when I lost 90% of my sight. 

And what was it like attending public school with a visual impairment? 

Most of us think of “Dow’s Swamp” as having disappeared during the construction of the Rideau Canal, two centuries ago, leaving us with what we know today as “Dow’s Lake”.

But did you know that a remaining southern portion of Dow’s Swamp continued to thrive until Ottawa’s ever-expanding urban footprint brought about the final destruction of this vital and vibrant vestige of wetland in the 1950s?

Long-time naturalist and plant ecologist Joyce Reddoch reminds us of our tragic loss of that precious remnant of primaeval ecosystem, as is illustrated in the attached collection of articles, including a post-mortem of her own, published in a journal of the Ottawa Field Naturalists’ Club almost a half century ago.

Scientific studies show that this now-gone swamp – a low trough between Dow’s Lake and the Rideau River, bounded on the west by the old CPR track and on the east by the old Bronson Avenue – was a lake from about 7,000 until about 3,000 years ago when bog and swamp forest began to form, finally becoming tree-covered 1,000 to 1,500 years ago.

(A swamp is generally a wetland or peatland with standing water or water gently flowing through pools or channels. The water is rich in nutrients and the vegetation is characterized by a dense cover of deciduous or coniferous trees and shrubs, herbs and mosses. Oft-misunderstood and underappreciated, our swamps are crucial to maintaining biodiversity.)

John MacTaggart, Colonel By’s chief engineer observed of Dow’s Swamp in 1829 that “the cedar-trees… grow as thickly in the swamp as they possibly can grow, an average fourteen inches thick and seventy feet high”.

In the century+ old Ottawa Field Naturalists’ Club’s earlier days, this remaining southern remnant of Dow’s Swamp was cherished as a seemingly inexhaustible refuge for sightings of rare and flourishing flora and fauna, including rare and endangered orchids, rare butterflies, birds and frogs and other wildlife.

The terrain of Dow’s Swamp, as it still existed earlier last century, was well-described by renowned Canadian forester/zoologist C.H.D. Clarke as he noted the birds he had spotted “there, among the cedars, willows, alders and elms, in tangled glades that led over sodden ground to beds of cattails”.

More than a dozen species of native orchids had been excitedly recorded in this now-disappeared remnant of the Dow’s Swamp wetland complex. Alder flycatchers, Lincoln's sparrows, white-throated and clay-coloured sparrows, rusty blackbirds, ruby-crowned kinglets, veeries, vireos, scarlet tanagers, waterthrushes, warblers, Carolina and marsh wrens, purple finches and black ducks were among the sometimes-scarce birds that Dr. Clarke and other avid naturalists would add to their observation lists.

Through these attached articles, Dr. Reddoch invites us to better understand that swamps, in their undamaged state, are ecosystems crucial to the maintenance of ecological diversity (and for maintaining ground water levels) – not dismal, stagnant, fetid places as per our popular misconceptions.

(Even mosquitoes – such as those who had likely persuaded the Dow family to abandon their allotment in 1826 – perform crucial roles as plant pollinators and food for birds.)

Dow’s Swamp is a lost ecological gem that Joyce Reddoch urges us never to forget.

(As we mourn the loss of this one small urban-enclosed portion of primaeval wilderness, one can only reflect on the impact post-contact settlement has had across our nation, not only on the long-existing flora and fauna, but also on the Indigenous people, upon this land their lives and livelihoods had vitally depended.)

Here are the articles that Joyce has kindly provided for us to read and learn more:

• 1965 CHDClarke Dow's Swamp
• 1978 Trail & Landscape p 132-141
• 1980 Postscript W.I. Illman
• Wetlands, Orchids in the Ottawa District 1997 

My Trip to the Ottawa Regional Heritage Fair

Hi, I’m Margaret. This year I took my heritage fair project to the Ottawa Regional Heritage Fair. My project for the Heritage Fair was about Teddy Rogers. Teddy Rogers is a teddy bear that a child gave to her father when he went to fight in WWI. A teacher at our school was the person who got First Avenue School involved. She was amazing and probably for a week before the Heritage Fair we practically lived in her class. I had such a great experience at the Canadian History Museum. It was held in the Grand Hall. The participating students ranged from grades 4 to 10. There were a variety of topics, but they had to be about Canadian history.

The Ottawa Regional Heritage Fair is an event where kids create, and present big projects typically done on a tri-fold display board about a Canadian topic. The topics vary from historical people and events, like Lucy Maud Montgomery or the Halifax Explosion, to people's families, or even a Canadian food like poutine. Immigration of different cultures is also a popular topic. Kids across Canada participate in heritage fairs.

At the fair, you get judged by two different judges. Both of my judges were very nice, they asked good questions, and it was more like just having a conversation about my project rather than presenting. One of them works at the Canadian War Museum and has held Teddy Rogers. Judges who were not judging me also came to my station. One of the people who came to my station is the director of the War Museum and the Museum of History. I had no idea when I gave her my presentation. But I found out later when they were giving out awards. After judging, we did our workshop which was looking around the museum. It was amazing. I walked around the museum with the teacher who organized the heritage fair at our school and some other students in my school. It was a lot of fun, and I learned a lot. Then we came back and there was an Indigenous drumming demonstration. Following that, they started the award ceremony. I wasn’t expecting to win anything because I’m only in grade six. But I did win something. I won the Canadian Museum of History award which means I got the highest overall mark. My sister and another team from my school both won awards. The Heritage Fair was such a fun experience, and you can see more details about it on the Ottawa Regional Heritage Fair site.

All About Teddy Rogers

My Heritage Fair project was on Teddy Rogers. Teddy was a teddy bear that Aileen Rogers gave to her dad when he went to fight in World War I where her dad Lawrence Browning Rogers sadly died at the Battle of Passchendaele. A soldier found Teddy in his pocket when he was getting Lawrence’s body. Teddy was then sent back to Canada. Many years later Teddy helped Aileen, who was now a nurse, greet kids coming over from England to escape the bombs during World War II. Teddy is now located at the Canadian War Museum in Ottawa, Ontario. In my project, I dove deeper into Teddy’s history with a paragraph just about Aileen, one just about her dad, the battle of Passchendaele and Teddy in World War II.  I also gave information about Teddy nowadays. I shortened this version from my original project, so these are just the important facts.

Ten-year-old Aileen Rogers lived in east Farnham, Quebec and gave her father, Lawrence Browning Rogers, her favorite stuffed animal when he went to fight in World War l. Teddy is 12 centimeters tall, he is missing his eyes and has no legs. Teddy serves as a reminder of the cost of war. Lawrence Browning Rogers was born in Montreal on December 17, 1877. He was a frontline medic officer and stretcher carrier at the Battle of Passchendaele. Passchendaele was during World War I. Ethel Aileen Rogers was born in Montreal in 1905. When Aileen was 35, she was a nurse helping deliver children from England to escape WWII. On August 23, 1994, when Aileen was 93, she sadly died. A letter that Aileen’s brother Howard wrote to his father on September 8, 1917, sadly never got to his father. It was found in an old family suitcase by Roberta Innes. The letter that was not read was donated alongside Teddy to the Canadian War Museum.

In conclusion, Teddy is a two-time war veteran and shows how much Aileen loved her dad and how war can tear families apart. Whether it is someone dying, or people being sent away, there is no upside to war. If you would like to see Teddy in person, go to the Canadian War Museum in Ottawa, Ontario. There are two books written about Teddy: A Bear in War and A Bear On The Homefront. These books were written by Lawrence Rogers Browning’s great-granddaughter, Stephanie Innes.

My Day at the Ottawa Regional Heritage Fair

Hi, my name is Cece and I recently participated in the Ottawa Regional Heritage Fair and won the Ottawa Museum Network Award. My topic was the Aberdeen Pavilion, which is a building in the middle of Lansdowne Park in Ottawa.

Leading up to the fair, I did a lot of research which included going to the City of Ottawa Archives. Going to the Ottawa Archives was a wonderful experience. Once there, I asked the librarian how to access the materials I needed. I did not end up ordering items from the vault, but I did find many photos, booklets, and newspaper clippings. I scanned them onto a USB drive then transferred them onto a Google Doc and printed them out. I also put a lot of time into my tri-fold presentation board and table display.

The fair was held at the Canadian Museum of History. During the fair, my day was split up into three rotations. In the first section, I had lunch. Then I was judged. At the end during a heritage workshop in the museum, I explored various Canadian artifacts. After my three rotations were done it was time for the award ceremony. I was not expecting to win an award so imagine my surprise when my name was called. It was so much fun, and I saw many of my friends and got the chance to see their projects. A couple of my favorite projects were about the Diefenbunker (which I recently toured) and Japanese internment camps.

A Bit About the Aberdeen Pavilion

Let me tell you a bit about the Aberdeen Pavilion. The Aberdeen Pavilion is a building in the heart of Ottawa. It is a heritage building and a community landmark. It also hosts the local farmers market on weekends. The Pavilion is a yellow color with light green trim. Its roof is silver. Its width is 40 meters, its height is 22 meters, and its length is 94 meters. It is the only large-scale exhibition building from the 1800s.

The Aberdeen Pavilion was designed by the architect Moses C. Edey. Edey was born in 1845 in Wyman, Quebec. He died in 1919. The Pavilion was named after the Governor General Lord Aberdeen. It was built for the Central Canada Exhibition Association (CCEA) in 1898, who used it as a place to host agricultural fairs. In 1939 it was taken over by the Department of National Defense. It was also used as a skating rink where the original Ottawa Senators won the Stanley Cup. It was designated a Heritage Building in February 1984. But by late 1986 it was in such disrepair that it was condemned and then closed to the public in October 1987. It was going to be demolished but the officials decided to renovate the building with a budget of 5.3 million dollars. This was approved in July 1992. They finished the renovation on June 24, 1994. Now the building stands proudly in Lansdowne Park on display for everyone.

Part Two: Logging

Upon their arrival to Canada in 1830, Irish immigrants, Roderick Ryan and John Egan, entered the lumber trade. A year later, they were the subject of a complaint made by Hudson’s Bay Company (HBC) chief trader, John Silverright, to the company’s director, Sir George Simpson. Silverright’s grievance was that the timber men were disturbing trade at the mouth of the Dumoine. [[1]]

It was prior to the arrival of Ryan and Egan, however, that saw the development of several key lumber trade innovations that made operations on the Dumoine feasible. First, in 1806, Philemon Wright (founder of Wrights Town) piloted a square timber raft from the town to the port of Quebec, establishing the logistics for how Ottawa Valley timber could be transported by river. By 1826, Wright’s son, Ruggles Wright, built the first timber crib slide there hastening everyone’s journey to Quebec. [[2]]Londoner merchants, George and William Hamilton Sr, relocated their timber business from Britain to Quebec as their timber source from the Baltic countries had been blocked by Napoleon Bonaparte. In 1809, the Hamiltons acquired a mill at the village of Hawkesbury. Within four decades, under the name The Hamilton Brothers (later named Hawkesbury Lumber Company), their sons would replace John Egan and run the largest timber operation in the Dumoine Valley.

Roderick established a base of operations across from the mouth of the Dumoine at the village of Rockcliffe (today called Stonecliffe) because of a colonization/supply road being built from Pembroke to Mattawa. By 1840, Ryan had begun cutting up from the mouth four kilometres to a chute now named after him. Egan’s crews, led by his chief engineer, William Moffat (son of one of the founders of Pembroke), were cutting lumber above Ryan’s Chute and up the west branch of the Dumoine by 1845. Within twenty years, other lumber kings, such as Joseph Aumond, Benjamin Moore, the Cullin Brothers, and the Hamilton Brothers, joined Egan and Ryan. [[3]]

A large log boom at the mouth of the Dumoine collected the logs from all the companies. From there, the individual companies formed their hewn property into twenty-six-foot-wide cribs to fit down the slides, then combined these cribs into giant rafts and hired special crews to pilot them on the two-month journey to Quebec City. The logging business was built on a strategy of first cutting the timber closest to the Ottawa River, then proceeding up the tributaries. Each company’s specialized timber appraisers called timber cruisers, blazed the trails to find the best timber stands and identify where to build the winter shanties. Building a supply road to haul food and materials for the men and horses into the shanty camps was a key part of this strategy.

By the 1850’s, the flood of companies buying the newly surveyed timber limits in the watershed was unstoppable. Together they all formed the Dumoine Boom and Slide Company to engineer the river at bottlenecks to efficiently run logs down to their shared boom at the mouth. This extensive cutting required an army of support, farmers pulling sleighs of food and equipment into the shanty camps to keep the men and horses fed and equipped. In 1860, surveyor David Sinclair, credited William Moffat, who at the time was working with the Dumoine Boom and Slide Company, with building a beautiful wagon road from the Ottawa River to the Grande Chute (now called the Dumoine Tote Trail). [[4]] Moffat also built the first version of the Grande Chute timber slide, a 400-foot single slide clinging to the west short beginning at Grande Chute Falls.

It has been calculated that a winter shanty required three pounds of supplies brought in for every board foot of lumber taken out and there were hundreds of thousands of board feet cut in the Dumoine Valley. [[5]] This constant flow of goods going up and logs coming down the Dumoine created a need for extensive infrastructure of wagon roads with stopping places every ten miles to house the teams and drivers. The teams were only capable of travelling that far each day, pulling their 2000-pound load through the snow. [[6]]

Historic map of stopping places along the Dumoine - Tamarack Magazine Issue 3 / Bill Paterson

At Rowanton, the Hamilton Brothers, and Booth and Eddy at Lac Dumoine, built large depot farms staffed with black smiths and labourers where they stockpiled supplies, grew feed, raised livestock, and maintained sleighs, wagons and tools. These farms work with family homesteads, called Stopping Places, which were located ten miles apart to accommodate teamsters who delivered supplies in the winter.

The creeks in the watershed required the building of dams, slides, and rock walls to control the water to flush the logs down to the Dumoine each spring. The longest single log slide in the world, at 3,364 feet, was built in 1871 by the government that was around Grande Chute area to replace Moffat’s original slide. It was only used to transport squared timbers for a fee of .15c each. The last squared timbers were cut around 1920 and the slide was dismantled shortly after that for its timber value.

New mills were built at Chaudière Falls in the late 1850’s. These mills demanded thousands of smaller sixteen-foot saw logs to produce lumber. The saw logs were easier to cut and drive down the Dumoine than the squared forty-foot giants. With the closer Ottawa destination, versus the squared timbers bound for Quebec City, the saw logs could be moved by water to the mills quicker, therefore being cut further north, well beyond Lac Dumoine. JR Booth, along with EB Eddy and Bronson & Weston, were the three largest operators of the second generation of lumbermen in 1880. Canadian invented steam powered boats called Alligators replaced hand or horse powered towing methods. The remains of two alligator boats can still be viewed from the shore of Lac Laforge, located just below Lac Dumoine. From the catch boom at the mouth of the Dumoine, the saw logs were towed to the mills. A new lumber company cooperative, the Upper Ottawa Improvement Company (ICO), was created in 1868 to tow every company’s logs to the mills in Arnprior and Ottawa. Each log was stamped with the owner’s brand. By 1900, another type of log, the four-foot pulp log, was added to the Dumoine river drive. EB Eddy and Booth lumber companies both opened pulp and paper mills at Chaudière Falls beginning in the 1890’s. The last river drive on the Dumoine was April 1961. The ICO continued to tow Dumoine logs trucked out to the Ottawa River, until 1990 when all log drives were stopped due to environmental damage.

Dumoine Club members at Stonecliffe Station (1938) - Private collection D. Charbonneau, Stonecliffe, OntarioThe logging era overlapped with new forms of recreation, including outdoor hunting and fishing clubs, and canoe tripping camps. In 1892, the Quebec government allowed groups of mostly well-off gentlemen to apply for large private fishing and hunting leases and establish a lodge base camp. Many old lumber camps were repurposed as club lodges. There were five such leases in the Dumoine watershed, accessible mostly by foot or horse via the original logging tote roads. The Dumoine Rod and Gun Club still stands as a fine example of this era. By the 1940’s, there were a dozen camps running trips, and today, some of these original camps are still in existence and over a thousand independent canoeists paddle the Dumoine each season. [[7]]

Wallace A Schaber

I am not a professional historian or Anishinabe expert. I am a collector of maps, stories, and artifacts about the Dumoine based on fifty years of guiding there by canoe, ski and foot. My book, Last of the Wild Rivers (2016) is available as an e-book online.

Friends of the Dumoine

In 2016, concerned Dumoine guides and travellers formed Friends of Dumoine to keep the rivers portages and campsites clean.

Mission Statement

“To champion conservation of the Dumoine watershed, promote non- mechanized recreation and strengthen knowledge of its natural environment and human history.”

Our major achievement to date is the re-opening and interpretation of the old Anishinabe portages that existed for centuries and linking them to the Dumoine tote road used by the lumber industry beginning in 1840. This hiking trail is now open from the Ottawa River to Grande Chute as a twenty-six-kilometre hiking-skiing trail www.sentierdumoine.ca . A visitor centre at Grande Chute complete with historic maps and artifacts is located at the northern gateway.

Please join us on the trail or virtually online to explore Canada's history and protect it. For more information about how to volunteer or donate write This email address is being protected from spambots. You need JavaScript enabled to view it..

Friends of the Dumoine would like to thank our partners in helping to make this project a reality.

CPAWS Ottawa Valley
Zec Dumoine
Wolf Lake First Nation

Suggested Further Readings

Barrett, Harry B. and Clarence F. Coons. Alligators of the North. Nature Heritage Books: Toronto, 2010.

Lee, David. Lumber Kings and Shantymen. James Lorimer and Company Ltd: Toronto, 2006.

MacKay, Donald. The Lumberjacks. McGraw-Hill Ryerson Ltd: Toronto, 1976.

Reid, Richard ed. The Upper Ottawa Valley to 1855. Carleton University Press: Ottawa, 1990.

Whitton, Charlotte. A Hundred Years A -Fellin: Some Passages from the Timber Saga of the Ottawa in the Century in Which the Gillies Have Been Cutting in the Valley 1842-1942. The Runge Press Limited: Ottawa, 1974.

A record crowd of 130 came to hear Paul Couvrette’s Historical Society of Ottawa presentation on the Karsh brothers which was held at the Main Branch of the Ottawa Public Library on the afternoon of April 27, 2024. Paul, a celebrated Ottawa photographer, was both a professional colleague and family friend of the two Karsh brothers. Paul also has the distinction of having photographed all the Prime Ministers from Trudeau to Trudeau, and of being called upon to give photography lessons to Her Majesty, Queen Elizabeth II, so she could take better pictures of her Corgis.

Yousuf (1908-2002) and Malak (1915-2001) Karsh, with their parents and brother Jamil, fled the Armenian genocide making their way to Aleppo , Syria in 1922. Late in 1923, Yousuf sailed from Beirut to join his uncle George, a photographer, in Sherbrooke , Quebec. Yousuf had little formal education or knowledge of either French or English, but learnt photography from his uncle before apprenticing in Boston between 1928 and 1931. He then moved to Ottawa and worked for John Powis before opening his own studio in 1932.

Paul showed us a number of photos, some by Yousuf, some by Malak and some of his own. He used these to relate stories, sometimes about the photo itself, sometimes about the technique used, and sometimes focussing on a personal memory or incident. He mentioned that like all photographers starting out, Yousuf did passport photos, shot weddings, did commercial and industrial work, and essentially took on whatever work was available at the time. Yousuf was a member of the Ottawa Little Theatre and did many photos for them. Paul explained that this was where Yousuf developed his lighting style that would later become his trademark in his portrait photographs.

Paul showed us the portrait photo known as “The Roaring Lion”. This is the December 30, 1941 photo of then British Prime Minister Sir Winston Churchill. Paul noted that the shoot, which only lasted a few minutes, was arranged by then Canadian Prime Minister Mackenzie King, who was a great supporter of Yousuf Karsh. Paul went on to discuss that story that just prior to the taking of the portrait, Karsh had taken the cigar away from Churchill. He said that he didn’t know if the story is true, but that if it is, it was something that Karsh had likely planned to do, as he researched and spoke with his subjects. This is a technique that Paul learnt from Yousuf and now employs himself. Although it is the best known portrait of Churchill, and is used on the British £5 note, it is not liked by the family. The family remembers Winston as a jovial man, not the scowling bulldog captured by Karsh that day. The photo changed the career and the life of Yousuf Karsh. The Karsh portrait became the “gold standard” and he was now sought out by all persons of importance, and those who believed themselves to be.

Paul then related a humourous side bar to the aforementioned photo. After the theft of a signed print of the photo from the reading room of the Chateau Laurier hotel was announced in August 2022, the Bytown Museum announced, the following April 1^st, the anonymous donation to their collection of a similar item. It was a great way for a small museum to garner some press.

Humour is something the public does not associate with Yousuf Karsh, but Paul maintains that he was a very funny man and recounted a couple of stories to illustrate this. On one occasion, Paul encountered Yousuf outside the Chateau Laurier, where he was then living. It was a terrible winter’s day, cold and with driving snow. Paul asked him why he had left the Middle East to come to Canada. Yousuf turned to Paul and replied “the weather”. On another occasion, Paul was talking with Yousuf about a recent portrait the latter had taken. Paul asked if Yousuf had noticed that there was a fly on the back of the chair behind the subject. Yousuf responded that the hardest part of that portrait was to train the fly to sit there while the photo was being taken.

As the fame, demands, and costs of Yousuf Karsh increased, he became unable to meet all the demands that were placed upon him. Paul noted that he was one of the beneficiaries of the referrals that Yousuf was forced to make, one client, a Supreme Court Justice, jokingly referring to Paul as “the poor man’s Karsh”.

In 1937, Malak joined his Uncle George and brother Yousuf in Canada and studied photography with them. Paul told us that although Malak is primarily known for his landscape work, he also did portrait, commercial, and industrial work and showed us examples of each. Malak is, however, best known for his images of Parliament Hill and of tulips. Malak was instrumental in the founding of the Tulip Festival in 1953.

Paul recounted an incident in which he encountered Malak taking a photo of some tulips. Paul remembers that Malak set up and waited for an hour to get exactly the right shot he wanted. Paul explained that in the age of film photography, you took one or perhaps two pictures, unlike the digital age of today when you can take as many pictures as you like and discard the many that are not worth keeping.

Perhaps Malak’s best known photo, (for those of a certain age), was entitled Paper and Politics, It was an unplanned photo taken in 1963 while he was working on a contract for E. B. Eddy and shows a number of logs and logging boats in the Ottawa River below Parliament Hill. The photo served as the inspiration for the engraving on the back of Canada’s last $1 bill. The fascinating story can be read at: Mishap on the dollar .

In 2017 to mark the 150 ^th anniversary of Confederation and the 25 ^th anniversary of the establishment of diplomatic relations between Armenia and Canada, the Armenian people donated a bust of Yousuf Karsh to the people of Canada. The bust stands outside the Chateau Laurier at the corner of Rideau Street and Mackenzie Avenue. You can read more on this at: Yousuf Karsh Bust .

Currently, there is no similar monument honouring the career and contributions of Malak Karsh. There is, however, work underway to redress this inequity. You can read the proposal at: Malak Karsh Monument Proposal, and you can get involved or provide your support by contacting Michel Gauthier at: This email address is being protected from spambots. You need JavaScript enabled to view it. .

 Paul Lauzon has recorded the presentation, available via the following link: https://historicallyspeakingottawa.blogspot.com/2024/04/take-one-paul-couvrette-friend-and.html

HSO is pleased to showcase the writings of Barry Padolsky, architect, urban designer, heritage advocate, and Winnipeg native.

From Barry himself, an introduction to this venture:

Friends and colleagues,

I am pleased to share “A Winnipeg Boy’s Imaginings” (2021) , “Shoreline Poems”(2022) and “Alphabet Soup” (2024) , a collection of my sketches, graphics, architectural explorations, poems, essays short stories, urban research and other miscellanea. This little project launched when I was wondering what to do during the COVID-19 pandemic. 

These volumes have also been published in hardcover, in a limited edition. They have been reserved and are being distributed to selected cultural institutions, libraries, and archives that contributed to my education. At the present time, they are not really available for purchase. I hope you enjoy this electronic version. You can even pass it on to someone else as a gift!  

Best wishes, Barry

A WINNIPEG BOY’S IMAGININGS (VOLUME 1)

SHORELINE POEMS (AWBI VOLUME 2)

ALPHABET SOUP (AWBI VOLUME 3)

Barry Padolsky B.Arch.,M.Sc.Urban Design OAA, FRAIC, RCA, CAHP

Copyright © 2024 Barry Padolsky.  All rights reserved. These volumes have been shared by The Historical Society of Ottawa with the express permission of the author.  No part of this collection may be reproduced or used in any manner without permission of the copyright owner except for brief parts in a review.

Richard Collins takes us on a virtual tour of some of Ottawa's most notable homes.